Review: A Line Unbroken: The Charles Forrester Story
By Joe Nolan A new short documentary about Kentucky sculptor and educator Charles Forrester is currently making the rounds at regional film festivals […]
Articles by Katie Maish
Review: “At Your Convenience” at Channel to Channel
By Joe Nolan Frances Berry and Stacy Kiehl share a studio space in Memphis, Tennessee, and their new collaborative exhibition at Channel […]
Signifying Nothing
By Audrey Molloy Only in its ideally lifeless, empty, windswept plains is the life of abstract thought possible. Only there does […]
What’s It Worth To Ya?…
By Lawrence Jasud …is a question that hangs over every conversation, negotiation, lecture, opening and artist’s talk in the art world. In […]
a love letter to everything unstable
By the Watkins College of Art MFA Faculty Collective, Nashville, Tennessee (facilitated by Jodi Hays) Nothing is stable. James Baldwin wrote that artists […]
Editorial 103
Glancing through an art history textbook, it is noticeable that important moments in art came out of important moments in history. Those moments challenged […]
Touch Magic: Secret love of machine girl
By Yutong Liu To the machines and devices who stay with me during this isolation time period. When you sit […]
Silent Walls
By Christine Bespalec-Davis She/Her I last saw my students in March, the week before the the city of Chattanooga and Walker […]
Interview with Katie Delmez: Curating in Crisis
By Sara Lee Burd Over the past 19 years at Nashville’s Frist Art Museum, curator Katie Delmez has committed herself to working […]