Archive For The “Features” Category
By Sherry Lucas Periwinkles peek shyly from the green ground cover in early spring. Around back, unruly azaleas start to lose their fuchsia fire as delicate dogwoods dot the scene with white. At Wolfe Studio in Jackson, Mississippi, the shed roof’s bank of windows looks out on a pocket of untamed woods. Feasting eyes on…
By Nicole Foran During our bi-annual family visit to the DFW area to show off our recent weight gains and my son’s increasing vocabulary of profane words, my mother in law insisted on giving us a tour of all the recent murals that had been popping up around Denton, Texas. This entailed strapping my…
No.88 By Jared Butler To lift a weight so heavy, Would take your courage, Sisyphus! Although one’s heart is in the work, Art is long and Time is short. Charles Baudelaire, “Le Guignon” (Bad Luck, 1857) Arguably this summer’s most provocative arts-related story in Georgia, the breakdown of the Macon Arts Alliance’s (MAA) Mill…
No.88 By Liz Clayton Scofield The Southern queer narrative is often one of migration. Get out when you can. Go to California, New York, Portland. (I did actually go to Portland. It was short lived.) Artists often echo this narrative. To be a Southern queer artist, to be Elsewhere, to be living in an Imagined…
No.88 By Sara Lee Burd Atlanta-based artist Michi Meko remembers the fear he experienced when he learned that being black meant following certain rules to make other people comfortable. “When you are a black teenage boy there is a moment where your elder will tell you how to survive your daily life. This is how…
No.87 By Jesse Butcher Lance Turner has exhibited in galleries and museums throughout the United States, including the Los Angeles Center for Digital Art in Los Angeles, CA; Memphis Brooks Museum of Art in Memphis, TN; the Visual Arts Center in Punta Gorda, FL; The Southern Nevada Museum of Art in Las Vegas, NV; The…
No.87 By Denise Stewart-Sanabria When you entered the Knoxville Museum of Art’s main entrance during the exhibition Contemporary Focus 2016: John Powers (May 6 – August 7, 2016), you could already hear the sounds emanating from the gallery space. The sounds were not unlike something coming from a vintage horror movie: the voices of…
No.87 By Mike Calway-Fagen For much of the Southern creative community, finding allies engaged in similarly intensive studio curiosities, research, and production can be exceedingly difficult. Of course, these metrics are subjective and some, they are wrong in my opinion, would claim that the South is teeming with artists toeing the lines of their field.
No.87 By: Eileen Townsend Before I knew Dolph Smith, I knew about his home. It’s named Tennarkippi, so-called for Tennessee, Arkansas, and Mississippi, the tri-states where Smith has spent his life as a teacher, painter, paper-maker, bookmaker, and woodworker. Tennarkippi is located in Ripley, Tennessee. It is a slate-grey house with lots of books…
No.87 By: Anthony J. Morris Video and digital media artist McLean Fahnestock is a prodigal daughter of Tennessee who spent a decade in California before her return in 2014. She began her career as an artist working sculpturally with found objects. She created installations of asphalt slabs supported by champagne flutes to generate a…