Tommy Kha at the Airport: Iconophile, Iconoclast — or Both?
Tommy Kha at the Airport: Iconophile, Iconoclast — or Both? by David Christie The Memphis International Airport unveiled its glistening new Concourse B […]
General
Review: Art in the Pandemic by Stephanie Painter
Art in the Pandemic By Stephanie Painter In a Zoom call, you occupy a box, and you stare out at tenants inhabiting the […]
Book Reviews: Russian Lit by Scott Zieher
“In Memory of Memory” by Maria Stepanova “Earthly Signs: Moscow Diaries, 1917-1922” by Marina Tsvetaeva
Jayne County “Penis Planet” at Institute 193
as seen by Jon Sewell. Dicks. Shiny, resplendent cocks. Dicks sneezing. Crossed cocks. Dicks twisted. Colorful cocks. Dotted dicks. Plentiful popping […]
Graves Stones, draft of Book1, by Scott Zieher
GRAVES STONES (DRAFT OF BOOK ONE) SCOTT ZIEHER The writer must direct his sentence as carefully and leisurely as the marksman […]
Studio Visit: Rigoletto by the Nashville Opera
by Jon Sewell, April Fool all year long On this April fool’s Day, the story of il buffone Rigoletto calls out the despair of the […]
Alma Thomas: Everything Is Beautiful review by Rob Matthews
“Beauty will save the world.” Dostoevsky expresses this artist statement through the words of the fictional character, Prince Myshkin- the titular character of The Idiot, […]
Questions for the Nashville Opera on the occasion of staging “Das Rheingold”
by Jon Sewell, originally published in Salt38: Love Over Gold, Feb 2022 tickets and more info: https://www.nashvilleopera.org/rheingold Is Opera cool again? A recent NY […]
Editor’s Drip: Blood in the Gas Tank
by Jon Sewell Let’s fill it up, y’all. When de La Mettrie, first published Man a Machine (French: L’homme Machine) in 1747 he […]
Book Review: Joe Nolan on Vesna Pavlović’s “Stagecraft” Monograph
By Joe Nolan Images courtesy the artist and Vanderbilt University Press A new book from Vanderbilt University […]