Archive For The “Reviews” Category
By Jessica Borusky I write this review on June 30th, 2019. Pride Month. Celebrated in June to commemorate (sans Vodka ads) the Stonewall Rebellion in New York – an event that occurred in the early morning of June 28th, 1969 – and widely considered to be the beginning of collective visibility for the…
by Judith Dierkes Stitched, Celebrating the Art of Quilting at Crosstown Arts in Memphis is a summer exhibition comprised of two shows, Masterworks and Blue, on display May 10 – July 28, 2019, around which a significant amount of programming – in the form of workshops, presentations and meet ups – has been organized…
By Pete Hoffecker Mejía The CMPLX in Memphis, Tennessee, is fast becoming a spot for exhibitions that consistently challenge and provoke the viewer. Operated by The Collective (CLTV), this group of Black artists and culture workers have utilized their combined energies to create a space for the uplifting of critical voices that reflect…
By Katie Lothrop Consumer culture dictates identity, for goods are not purchased for functional satisfaction alone. Rather, they can be procured as a means of establishing status. Artist Jill Baker Gower uses lace and brooch-like pieces to speak to the female experience and, in doing so, operates through set ideals of female gender…
By Gabriella Andino We communicate our conditions of being through a spectrum of languages and mediums. As limited as language is when it comes to bridging ideas and connecting individuals from different backgrounds, the concept of the contemporary functions as if there is a shared subject position that is equally accessible and capable…
On February 15, Delta Axis and Locate Arts/Seed Space selected Memphis artist Desmond Lewis and Kenturah Davis, who practices outside of Tennessee, to exhibit their work together as a collaborative exploration of materiality and relationship. The exhibition was on view until March 10, 2019 at Crosstown Arts in Memphis, TN. Delta Axis…
By Bridget Bailey Frist Art Museum, November 16, 2018–February 18, 2019 This past winter the Frist mounted the exhibit Life, Love, and Marriage Chests, centered around the craft of cassoni, marriage chests constructed from wood and elaborately decorated for their role in the marriage rituals and subsequent lives of the upper social…
By Mary Phan A camera obscura, in its most basic form, is a lightbox. It has often been used as a rudimentary tracing tool, a way for artists to capture the details and geometry of their subjects in light and space. Aaron Suggs’ exhibition, Camera Obscura, at Tops Gallery in Memphis, Tennessee, is…
By Lisa Williamson Wearing a long-sleeved tomato red shirt with matching leggings pushed up to her knees, a woman walks quietly through the door carrying a bucket of discoloured water bending under its own weight. Her bare feet pad across the cold concrete in deliberate steps as she makes her way to the…
By Lisa Williamson The title of a show is our introduction to the artist’s work, the selling point to the end-product, an enticement to tease the imagination prior to entering a space or experience. In the case of Erin Harmon, the title is a loose flap that intermittently reveals hints of a self-generative…