Manipulating Materials: An Interview with Kate Roberts
By Raina Belleau Kate Roberts is a Memphis-based artist who uses porcelain and other materials traditionally associated with craft to create haunting works of art ranging ...
CURRENT ISSUE
An Interview with Pam Marlene Taylor
By Melinda Baker When Nashville-based fiber artist and curator, Pam Marlene Taylor, was studying art at Tusculum University in 2013, a painting professor told the ...
If It’s Broke, Learn How to Fix It: Radical Repair Workshop
By Raina Belleau What does the worn-and-tattered satin edge of a childhood blanket have to do with a sculpture? What is the relationship of the holes in your favorite ...
Art and Craft at the Metal Museum: Interview with the Metals Studio Staff
Facilitated by Brooke Garcia The mission of the Metal Museum is to preserve, promote, and advance the art and craft of fine metalwork, and one of the many ways ...
Interview with Lilia Hernandez Galusha & Morgan Page
By Jon Crawford Jon Crawford: For someone who hasn’t seen your joint exhibition at Marshall Arts, Capas, in Memphis, Tennessee, can you describe your individual ...
My Body Is Always Holding My Mind: The Ceramic Vessels of Wansoo Kim
By Billy Renkl Billy Renkl: Describe your education as a ceramicist in Korea. Was that inflected by your school’s identity as a school of science and technology? ...
Interview: Natalie Baxter
By Chase Martin I met Natalie Baxter and her infant daughter Petra at her studio in Bushwick, just before the coronavirus crisis shut down New York City. When I visited, she ...
In Conversation with Sofia Gonzalez
By Madison Balushi Madison Balushi: Can you tell us about you and your work? Sofia Gonzalez: I usually describe myself as a textile artist. In my practice, I ...
Art & Craft: An Interview with Brin and Dale Baucum
By Rachel Davis Rachel Davis: I know a lot of times certain mediums can be seen as ‘craft mediums’, and I think that clay has been seen that way for a while just because it ...
Stitched Dissent
By Paula Kovarik I quilt to piece, layer and stitch a narrative that represents my concern for what is doing on in our country. My art reflects American anxiety in a world of danger ...
Editorial 102: Craft & The Creative South
By Katie Maish The distinction between craft and art – and the value placed upon each – is a long-standing, oft-discussed topic in visual arts. Depending upon ...